Slipknot солист кори тейлор

Солист и основатель группы Stone Sour Кори Тейлор пообщался с корреспондентом Metro после презентации нового альбома и концерта в Москве. О том, за что он любит русских фанатов, как новый альбом связан с СССР и почему группа никогда не играла в одном стиле, — в нашем интервью.

Вы не первый раз в России. Есть ли что-то, что отличает русских фанатов от людей, которые слушают вашу музыку в других странах?
Знаете, что круто в поездках в Россию? Фанаты настолько бешеные, они так ждут и хотят этого шоу. Само собой, у нас не получается приезжать сюда так часто, как хотелось бы. И поэтому, когда мы наконец-то здесь, фанаты такие неистовые, они просто с ума сходят. В этом смысле они мне напоминают фанатов из Латинской Америки. Там тоже непросто бывать часто, поэтому они так сильно предвкушают это… Это очень круто. Я просто обожаю сюда приезжать!

Потому что вы чувствуете особую энергетику…
Однозначно. Просто ты как будто чувствуешь больше радости, больше эмоционального возбуждения – знаете, здесь чуть-чуть больше всего. Больше любви по отношению к просто самому факту того, что мы смогли приехать сюда. Поэтому я всегда говорю ребятам: «Вы, блин, просто обязаны поехать в Россию! Там так здорово, там просто запредельно круто!».

А какое у вас в целом впечатление о России и Москве?
Каждый раз, когда я был здесь, мне очень нравились люди. Потом, здесь столько интересного – когда появляется свободное время, не знаешь, с чего начать. Я был в Москве и в Санкт-Петербурге, и в этих двух городах пейзаж, архитектура, история – они наполнены этим. Я люблю погружаться в атмосферу города, окружать себя им, узнавать о нём как можно больше.

А если бы вам нужно было выбирать между Москвой и Петербургом?
За энергетику большого города я бы выбрал Москву. Но за возможность прикоснуться к прошлому я бы выбрал Санкт-Петербург – например, за оперный театр, за то, как они смогли путем реставраций сохранить всё в таком виде. У обоих городов есть своё очарование, и в обоих есть что-то, что мне очень нравится.

Кори Тодд Тейлор

•Родился 8 декабря 1973 года.
•Основал рок-группу Stone Sour в 1992 году, в которой по сей день является солистом.
•Stone Sour выпустили шесть полноценных студийных альбомов, пять из которых попадали в первую десятку американского чарта Billboard 200.
•Группа трижды номинировалась на Грэмми за лучшее исполнение в стиле «метал».
•Певец также является солистом группы Slipknot.
•Тейлор — автор трёх книг, одна из которых автобиографическая.

На днях в Москве у вас была презентация нового альбома «Hydrograd». Каков идейный посыл этого альбома? Есть ли что-то, что вы хотите в нём донести до своих слушателей?
На самом деле, посыл в том, что никакого посыла, по сути, и нет. Знаете, в наше время во всём должен быть какой-то глубинный смысл. А мы не хотели быть слишком серьёзными. Мы просто хотели сделать крутой альбом, который можно слушать по любой причине и при любых обстоятельствах: когда вы за рулём — включаете этот альбом, гуляете — включаете альбом, просто отдыхаете – включаете альбом. Он почти универсальный.

Да, я заметила, он сочетает в себе такие разнообразные стили, он очень разнородный.
Да у нас, в общем-то, всегда были такие альбомы. Они представляли собой просто сборник песен. Люди собирались вместе, включали разные песни. А сейчас все, блин, такие серьёзные: «Давай, скажи что-нибудь! Ты должен!». А ведь иногда ты просто хочешь повеселиться…

…и просто делать музыку для себя.
Именно! И это как раз то, что мы пытаемся делать. Мы просто хотим, чтобы нашу музыку было приятно слушать.

Вы не планируете менять стиль в соответствии с ожиданиями публики или последними трендами в музыке?
Нет. Мы никогда не менялись для кого-либо, кроме самих себя. Основная причина, по которой мы любим делать настолько разнообразные вещи, в том, что это вызов самим себе. Плюс у каждого из нас такие разные вкусы в музыке, и поэтому нам нравится создавать то, что могло бы отражать их и объединять таким образом, чтобы в итоге получилось что-то целостное. Я не хочу повторяться, я хочу продолжать искать новый материал, новые грани, новую музыку, новый стиль…

Чем является музыка лично для вас? Это отражение вашей жизни, ваших мыслей или, наоборот, это способ убежать от реальности?
Да нет, по большей части это отражение того, кто я такой, где был и что видел… И это еще одна причина, почему наша музыка меняется. Я ведь уже не тот же парень, которым я был в 25, и не тот, кто кричал в песнях Slipknot. Это всё должно развиваться и видоизменяться. Ведь если изменений нет, то получается, что ты просто постоянно говоришь одно и то же. Я думаю, это одна из причин, почему я хотел сделать что-то другое и бросить вызов своим слушателям. Мы таким образом расширяемся, мы так делаем уже много лет. Если ты делаешь одно и то же раз за разом, люди уже знают, что ожидать. А я не хочу быть предсказуемым.

Кстати, какая музыка вам ближе: жёсткая музыка типа хеви метал или более мелодичное, лиричное звучание?
Думаю, зависит от настроения. Например, одна из моих любимых групп – Metallica. Когда я был маленьким, это была одна из самых тяжёлых рок-групп в мире. Они одни из прародителей трэш-метала. Я мог слушать какую-нибудь сумасшедшую, жёсткую песню типа «Phantom Lord», а потом послушать что-то более мелодичное, к примеру, «Creeping Death». Например, сегодня песня, которую я больше всего хочу сыграть, это «Rose Red Violent Blue» — наш новый сингл. Она написана в таком классном музыкальном стиле, с долей безрассудства.

Который, в общем-то, для вас нетипичен.
Да, точно. Ну а завтра я могу захотеть сыграть песню «Fabuless», которая как будто бьёт тебя по лицу. (Кори делает хлопок руками.) Всё отталкивается от того, какой ты в этот конкретный день. И в зависимости от этого предпочтения меняются.

Наверное, ваш новый альбом может удовлетворить вкусы любого слушателя.
Именно!

А как вы сейчас описываете ваш стиль?
Наверное, я скажу, что мы — это просто хард-рок. Под этим можно подразумевать столько всего. Всем кажется, что нужно поместить себя в какие-то рамки. А я говорю: «К чёрту рамки!». Возвращаясь к Metallica, — кто-то говорит, что это хеви метал, другие – что это хард-рок. И все они правы. Всё зависит от конкретной песни. Именно поэтому мы всегда пытались быть насколько это возможно разнообразными. Называя себя хард-роком, мы открываем перед собой множество возможностей. То же самое и с группой Slipknot. Я всегда видел в ней нечто большее, чем просто группу, играющую хеви метал, вместо того, чтобы заколачивать её в эти рамки. И это также позволяет нам писать то, что мы хотим. Думаю, это ключевой момент – находиться в рамках чего-то столь всеобъемлющего, как хард-рок.

Как, по вашему мнению, вас воспринимают фанаты?
О, я уверен, они нас распределяют по множеству разных категорий. До сих пор есть люди, которые говорят, что Slipknot – это ню-метал, и я думаю, что это просто смешно и очень странно. А вообще нет смысла беспокоиться по этому поводу. Единственное, что ты можешь контролировать, — это то, как ты это видишь. Впоследствии люди уже дадут этому название. И это нормально, ведь главное – что оно просто есть.

Да, что бы вы ни делали, всегда найдётся свой слушатель. Что касается планов на будущее: у вас есть конкретные творческие идеи?
Мы постоянно пишем. Когда закончится тур, я планирую снова взяться за Slipknot. Мы думаем сделать парочку каверов. Мы не перестаем писать, постоянно появляется что-то новое. Сейчас есть несколько идей на рассмотрении. Хотя, если честно, последнее время всё внимание было направлено на организацию живых представлений: на постановку шоу, на создание того самого идеального концерта.

Возвращаясь к альбому, хочу спросить вот о чём. Многие видят в песнях очень много отсылок к Советскому Союзу. Почему вы решили затронуть эту тему?
Если честно, в какой-то степени это было отражением названия альбома. Название, по факту, не русское, но в нём чувствуется что-то русское, в особенности, в этом «-grad». Как нам кажется, в нём есть что-то от русской музыки, особенно, русской музыки прежних лет. Путём внедрения подобных элементов, получился уникальный стиль, чем и выделяется этот альбом.

Кстати, каких русских исполнителей вы знаете и слушаете?
Мне очень неудобно это признавать, но я знаю не так уж много русских групп.

Ничего страшного. Просто вы упомянули русскую музыку, поэтому я решила спросить.
Первое, что приходит в голову, это всегда Gorky Park. С самого детства я помню Moscow Music Peace Festival. Это был один из самых крутых концертов, которые я когда-либо видел и слышал. Его показывали по MTV. Там были Gorky Park, Scorpions, Mötley Crüe, Оззи. Я помню, как я думал: «Боже мой, как же я хочу быть там!».

«Московский международный фестиваль мира» – первый полноценный рок-фестиваль, состоявшийся в СССР 12—13 августа 1989 года на стадионе «Лужники» в Москве. Среди выступавших были Bon Jovi, Mötley Crüe, Ozzy Osbourne, Cinderella, Skid Row, Gorky Park.

Stone Sour – это алкогольный напиток, верно? Почему вы выбрали такое название для рок-группы?
Если честно, было так. Мы с первоначальным барабанщиком пытались придумать название. Это было очень давно, в 1992 году. Как-то он пошел в бар. Он просматривал меню с напитками и параллельно выписывал названия. Он позвонил мне и сказал: «Слушай, я тут посмотрел меню. Как тебе вариант Ocean Green?». И я сказал: «Это просто жуть. Такое название нам не подходит». Тогда он спросил: «А как насчет Stone Sour?». И не знаю, почему, но мне показалось, что это звучит круто. В этом было что-то интересное. И как-то оно закрепилось. И тогда, в 1992-м, это сработало.

Источник

Corey Todd Taylor (born December 8, 1973) is an American singer, songwriter, actor and author. He is known as the lead vocalist and lyricist of the bands Slipknot and Stone Sour.[1]

Taylor and Jim Root joined Stone Sour and re-started the band around 1995, playing in the Des Moines area, and working on a demo. He joined Slipknot in 1997 to replace their original vocalist and has subsequently released six studio albums with them. After the first two Slipknot albums went Platinum, Taylor revived Stone Sour to record an album and tour in 2002. He has worked with several bands, including Junk Beer Kidnap Band, Korn, Disturbed, Apocalyptica, Code Orange, Anthrax, Steel Panther, Falling In Reverse, and Soulfly.

Early life[edit]

Corey Todd Taylor was born on December 8, 1973 in Des Moines, Iowa.[2][3][4] He was mostly raised by his single mother in Waterloo, Iowa, a place described by Taylor as a «hole in the ground with buildings around it».[4] He is of German, Irish and Native American descent on his father’s side, and Dutch and Irish on his mother’s side.[5] Around 1979, Taylor and his mother saw the sci-fi series Buck Rogers in the 25th Century. Before the series, there was a trailer for the 1978 horror film Halloween. Taylor said this «developed some sense of Slipknot in [himself]».[4] While Halloween introduced Taylor to masks and horror themes, Taylor’s grandmother introduced him to rock music, showing him a collection of Elvis Presley records from the 1950s to 1970s. He especially found songs like «Teddy Bear», «In the Ghetto», and «Suspicious Minds» to appeal to his interests the most, describing them as «good times».[4] Taylor also began listening to Black Sabbath at a young age, beginning with their early work.[4]

By age 15, he had developed a drug addiction and had overdosed on cocaine twice.[6][7] By this time, he was living in Waterloo, but later set out on his own and ended up at his grandmother’s house in Des Moines. She took legal custody of him so that he could continue going to school, and she helped him buy musical equipment.[8][9] When Taylor was 18, he left his grandmother’s house and went to various places in Iowa, Des Moines being a place to which he frequently returned.[10]

In 2017, on an episode of Viceland’s The Therapist, Taylor revealed that he was sexually abused at the age of 10 by a 16-year-old friend. Taylor stated that he never told anyone about the incident until he was «probably 18» because his abuser «threatened to hurt [him] and threatened to hurt [his] mom».[11] At age 18, when Taylor was living with his grandmother, he attempted suicide by way of overdose. His ex-girlfriend’s mother drove him to the hospital in Des Moines and doctors were able to resuscitate him.[12] He describes this as the lowest point in his life.[13] Taylor first met his father when he was 30 years old, and now has a relationship with him, although he said their paths do not cross that often.

Music career[edit]

Stone Sour[edit]

Stone Sour performing in 2010.

Taylor is a founding member of the American hard rock band Stone Sour. After he formed the band in 1992[14] with drummer Joel Ekman, Shawn Economaki joined filling in the bass position, leaving the electric guitar position to be filled by Josh Rand. Stone Sour recorded a demo album in 1993, and another in 1994. In 1997, Taylor was approached by the metal band, Slipknot, resulting in him abandoning Stone Sour while they were recording a demo album with Sean McMahon at SR studios.[15][16] Taylor did not return until five years later to record their debut album, Stone Sour in 2002. Both Taylor and guitarist Josh Rand contacted Jim Root, Slipknot’s guitarist, and Shawn Economaki, Stone Sour’s original bassist, to begin writing songs for their debut album.[17] Drummer Joel Ekman came back on board as well.[18][19] This «reformation» later resulted in Stone Sour recording at Catamount Studios in Cedar Falls, Iowa.[18][20]

Their self-titled debut album was released August 27, 2002, and it debuted at number 46 on the Billboard 200.[21] Their second album, Come What(ever) May debuted at number four on the Billboard 200.[21] It was released August 1, 2006, and charted on several different charts.[21][22][23]Live in Moscow is currently their only album specifically released only for music download.[24] During the recording of the album, drummer Joel Ekman left the band for personal reasons. As a result, drummer Roy Mayorga was recruited, taking his place.[25] The group released their third studio album, Audio Secrecy, on September 7, 2010.

Taylor performing with Stone Sour in 2013.

Later, Corey Taylor announced the release of a concept double album with Stone Sour. The albums are titled «House of Gold & Bones«. During the process of making the double album, bassist Shawn Economaki left the band. He was temporarily replaced for touring purposes by Johny Chow. The first part was released in October 2012 and the second part in April 2013. There are 23 songs in total, 11 on the first part and 12 on the second. In addition to these two albums is a four-part comic book series written by Taylor and published by Dark Horse Comics, which went on sale in 2013. With these albums came a story that was written by Taylor that coincide with the album. Fans can also construct a miniature «house of gold and bones» from the packaging design of the physical versions of the two albums. Taylor has also said that he would like to finish off the project by making the story into a movie but nothing has come of this yet.[26][27][28]

Slipknot[edit]

Taylor performing with Slipknot in 2011.

In Des Moines, Iowa, Joey Jordison, Shawn Crahan, and Mick Thomson approached him asking him to join Slipknot.[15] He agreed to go to one of their practices, and ended up singing in front of them. Of Slipknot’s nine members, Corey was the sixth to join the band. Performing with Slipknot, he would also come to be known as «Number Eight» though is superior to all members, being that the band follows a numbering scheme for its members, ranging from 0–8. According to Shawn Crahan, Corey wanted number eight, because it symbolizes infinity.[29]

Feeling he could expand more inside Slipknot than in Stone Sour, Taylor temporarily quit Stone Sour, even though they were recording an album with Sean McMahon.[16] Taylor’s first gig with Slipknot was on August 24, 1997, which according to band members did not go well. During his first gig, Taylor was performing with facepaint instead of a mask; however, for his second show on September 12, he wore a mask that resembles his debut album mask.[30]
Taylor has recorded with Slipknot since the release of their second demo album, a self-titled demo used to promote the band to prospective labels and producers.[31] As their permanent vocalist, he recorded with Slipknot at Indigo Ranch in Malibu, California and released Slipknot, the band’s debut album that peaked at number one on the Top Heatseekers chart,[32][33] went double platinum in the United States,[34] and was included in the 2006 book 1001 Albums You Must Hear Before You Die.[35] Taylor was accused of copyright infringement regarding the lyrics of the song «Purity», but no action was taken.[36] Taylor began recording for their second studio album, Iowa, in 2001 at Sound City and Sound Image in Van Nuys, Los Angeles.[37] It was released August 28, 2001 and peaked at number one on the UK Albums Chart,[38] as well as number three on the Billboard 200.[39] While writing Vol. 3: (The Subliminal Verses), Taylor decided to write lyrics that would not warrant an explicit label.[40] It peaked at number two on the Billboard 200.[41]All Hope Is Gone was the first Slipknot album to peak at number one on the Billboard 200.[42]

Other work[edit]

Taylor has appeared as a guest musician on albums by Soulfly, Apocalyptica, Damageplan, Steel Panther and Code Orange. At one point, he was heavily involved in the recording of thrash metal band Anthrax’s album, Worship Music, but the sessions remain unreleased.[43] He also contributed to the Roadrunner United all-star album in 2005, providing vocals for the song «Rich Man».[44] Taylor also made a brief appearance in Steel Panther’s singles «Death to All but Metal», «Eyes of a Panther», and «Asian Hooker».[45] In 2006, Taylor founded the record company Great Big Mouth Records.[46] Taylor has produced two albums: Facecage’s self-titled album and Walls of Jericho’s Redemption.[47][48] Taylor provided guest narration on the track «Repentance» for Dream Theater’s 2007 album Systematic Chaos. In an interview with Billboard magazine, Taylor confirmed that on January 13, 2009, he was planning on making a solo album, as well as returning to his side project Stone Sour after Slipknot’s All Hope Is Gone World Tour.[49] Taylor has stated that he was writing songs that «don’t fit either of his main bands.»[49] He describes them as a cross between Foo Fighters, Johnny Cash, and Social Distortion, saying that there’s «a country background that comes built-in with living in Iowa».[49]

On March 30, 2009, it was confirmed that Taylor and the Junk Beer Kidnap Band would be performing at Rockfest in 2009.[50] The group performed on April 24, 2009 at People’s Court in Des Moines, Iowa, marking Taylor’s first official solo show.[51] Taylor performs with his band the Dum Fux with Denny Harvey, who make covers for 1970s punk rock and 1980s hair metal.[52] Taylor also performs with Audacious P, a band that is primarily a Tenacious D cover band.[53] Rapper Tech N9ne confirmed that Taylor was to perform on his album K.O.D., but was removed because Taylor did not submit his vocals in time.[54][55] Taylor recently admitted that he tried out for the vacant singer spot in the band Velvet Revolver, but said that it just did not work out.[56] However, according to a recent Billboard article, it seems likely that he may in fact become the vocalist for Velvet Revolver, though no official confirmation has been made.[57]Duff McKagan added that they can neither «confirm or deny» Taylor’s membership in the band but believes that Taylor is the «real deal».[58]Slash has since ruled Taylor out as the possible new vocalist explaining that «[it] just wasn’t right» although he does love him.[59] Taylor has, however, recorded 10 new songs with the band, although drummer Matt Sorum stated it is unlikely they will ever be released.[60] Taylor explained to Mark Hoppus on Hoppus on Music that he and McKagan were writing new music for a possible new supergroup.[61]

On June 21, 2018, Taylor featured on the track «The Hunt» by metallic hardcore band Code Orange, the second track of the 3-track EP The Hurt Will Go On. In September 2019, he was featured on Nostalgia Critic’s parody album of Pink Floyd’s The Wall on a cover of the opening theme for SpongeBob SquarePants.

Acting career[edit]

On December 4, 2013, Taylor joined the cast of Fear Clinic. He played Bauer, one of the employees of the clinic who struggles to keep things under control when all hell breaks loose. He appeared in the 2013 horror film Bullied. In October 2015, Taylor provided the roars for the character of The Fisher King in the Doctor Who episode «Before the Flood». Taylor also appeared as a cameo in Sharknado 4.[62]

Style and influence[edit]

Corey Taylor told Loudwire in 2015 that if it were not for Faith No More, he «wouldn’t be here today». While recovering from an attempted suicide, he saw the band perform «Epic» live on the 1990 MTV Video Music Awards and the performance inspired him to begin writing and performing music again.[63]

Corey Taylor had once been quoted that Pearl Jam had hugely influenced and inspired his music, saying that the group was «one of the biggest and best rock bands of all time».[64] The first two Slipknot albums with Taylor’s vocals, Slipknot and Iowa, both contain substantial explicit content. Many critics claimed Taylor relied on the profanity, which is why Slipknot’s third album, Vol. 3: (The Subliminal Verses) is profanity-free, (with the exceptions of the word «bitch» on the song «Duality» and «bastard» on the spoken intro of «Pulse of the Maggots»), and did not warrant the explicit label.[40] Compared with the previous vocalist for Slipknot, Anders Colsefni, Taylor has a vocal style that was characterized by ex-drummer Joey Jordison as «really good melodic singing».[65] Taylor’s vocal style, which contains at times melodic singing, growling, screaming, shouting, and rapping, led him to place at number 86 on the Hit Parader’s Top 100 Metal Vocalists of All Time and is often compared to other vocalists such as Ivan Moody, John Bush, Phil Anselmo and Jamey Jasta.[66]

Taylor’s two major projects have contrasting temperaments.[18] Slipknot is considered to be heavy metal, nu metal and alternative metal, and expresses moods such as depression, hostility, anger, misanthropy, and rebellion.[67] Stone Sour is classified as alternative metal, expressing moods of bleakness and somberness as well as anger and rebellion.[68]

Personal life[edit]

On September 17, 2002, Taylor’s then-fiancée, Scarlett, gave birth to their son Griffin Parker.[69] Taylor also has a daughter named Angeline (born in 1992) from an earlier relationship.[69] Taylor and Scarlett married on March 11, 2004, and divorced in 2007.[70] On November 13, 2009, Taylor married Stephanie Luby at the Palms Hotel in Las Vegas.[70] The couple had a daughter, sometime in 2015, however her name has not been revealed. [71] On December 28, 2017, Taylor announced on his Twitter that he and Luby had been separated.[72] On April 7, 2019, it was announced on his Instagram page that he became engaged to Alicia Dove, creator of ‘l»Cherry Bombs».[73] On October 12, 2019, the pair married.[74]

Taylor has had problems with alcohol abuse, which Scarlett helped him through as well as keeping him from committing suicide.[75] In 2006, Taylor told MTV that he had attempted to jump off a balcony of the eighth floor of The Hyatt on Sunset Boulevard in 2003, but «somehow [Scarlett] stopped me». This was later recanted by Taylor in an interview with Kerrang! radio and stated that it was, in fact, his friend Thom Hazaert who physically stopped him from jumping.[76] Scarlett then told him that either he would have to get sober or she would annul their marriage.[75] Before Stone Sour started recording Come What(ever) May in January 2006, Taylor was sober.[75][77]

On August 3, 2009, he co-hosted the 2009 Kerrang! Awards alongside Scott Ian of Anthrax.[78][79] The following year, they both once again co-hosted The Kerrang! Awards, where Taylor collected the K! Services to Metal award on behalf of Paul Gray, who died after an accidental overdose of morphine and fentanyl.[80][81]

In early September 2010, Taylor announced that his book, Seven Deadly Sins: Settling The Argument Between Born Bad And Damaged Good, would be released on July 12, 2011 through Da Capo Press.[82]

Discography as featured artist[edit]

Year	Band	Album	Songs	Role	Ref
1998	Sister Soleil	Soularium	«Liar»	Backing vocals	[83] [84]
1998	Smakdab	Smakdab	«Shadowed»	Vocals	[85]
2000	Soulfly	Primitive	«Jumpdafuckup»	Vocals	[86] [87] [88]
2000	Snot	Strait Up	«Requiem»	Vocals	[89] [90]
2001	Biohazard	Uncivilization	«Domination»	Backing vocals
2001	Slitheryn	Snake Slitheryn	«Lost», «Get Up», «Come + Go», The Same	Vocals, backing vocals, producer	[91] [92]
2002	Rollins Band	Rise Above	«Rise Above», «Room 13», «TV Party», «Six Pack», «Annihilate This Week»	Vocals, backing vocals	[93] [94]
2004	Damageplan	New Found Power	«Fuck You»	Vocals	[95] [96]
2005	Roadrunner United	The All-Star Sessions	«The Rich Man»	Vocals	[97] [98] [99]
2006	Korn	Family Values Tour 2006	«Freak on a Leash» (Live)	Backing vocals	[100] [101]
2006	FaceCage	III	—	Producer	[102] [103]
2007	Dream Theater	Systematic Chaos	«Repentance»	Spoken word contribution	[104] [105]
2007	Apocalyptica	Worlds Collide	«I’m Not Jesus»	Vocals	[106] [107]
2008	Walls of Jericho	Redemption	«Ember Drive», «My Last Stand», «Addicted»	Vocals, guitar, producer	[108] [109]
2009	Steel Panther	Feel the Steel	«Death to All But Metal», «Asian Hooker», «Eyes of a Panther»	Vocals	[110] [111] [112]
2010	Johnny Aloha	Lavapalooza (Tiki Music Versions of Rock And Rap Hits!)	Almost Paradise	Vocals	[113] [114]
2011	Travis Barker	Give the Drummer Some	«On My Own»	Vocals, guitars, producer
2013	Corey Taylor, Dave Grohl, Rick Nielsen, Scott Reeder	Sound City: Real to Reel	«From Can to Can’t»	Vocals
2014	Corey Taylor, Jason Christopher, Christian Martucci, Roy Mayorga, Satchel	This Is Your Life – A Tribute to Ronnie James Dio	«Rainbow in the Dark»	Vocals, producer
2015	Tech N9ne	Special Effects	«Wither»	Vocals
2015	Teenage Time Killers[citation needed]	Greatest Hits Vol. 1	«Egobomb»	Vocals
2016	Zakk Wylde	Book of Shadows II	«Sleeping Dogs»	Vocals
2016	Zakk Sabbath	Fairies Wear Boots (Live Bootleg: Los Angeles ’16)	«Fairies Wear Boots» (Live)	Vocals	[115]
2016	Korn	The Serenity of Suffering	«A Different World»	Vocals	[116]
2018	Tonight Alive	Underworld	«My Underworld»	Vocals
2018	Code Orange	The Hurt Will Go On	«The Hunt»	Vocals
2019	Kid Bookie	—	Stuck in My Ways	Rap vocals
2019	Falling in Reverse	—	Drugs	Vocals	[117]
2019	Doug Walker	Nostalgia Critic’s the Wall	Spongebob Theme	Vocals
2020	Me and That Man	New Man, New Songs, Same Shit, Vol.1	How Come?	Vocals	[118]
2020	Posehn	Grandpa Metal	The Fox (What Does the Fox Say?)	Vocals	[119]
«—» denotes a recording that did not chart or was not released in that territory.

Filmography[edit]

Bibliography[edit]

2001–2016	Monthly column for the British publication called «Rock Sound».[128]
2010	Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good[129]
2013	A Funny Thing Happened On The Way To Heaven (Or How I Made Peace With The Paranormal And Stigmatized Zealots & Cynics In The Process)[129]
2015	You’re Making Me Hate You: A Cantankerous Look at the Common Misconception That Humans Have Any Common Sense Left[129]
2017	America 51: A Probe into the Realities That Are Hiding Inside «The Greatest Country in the World»[129]

Equipment[edit]

Awards[edit]

Revolver Golden Gods Awards

Loudwire Music Awards

Kerrang! Awards

References[edit]

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^ Arnopp 2001, p. 27
^ Arnopp 2001, p. 25
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^ a b Arnopp 2001, p. 72
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^ https://twitter.com/coreytaylorrock/status/1163544959108243459?lang=en
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Bibliography[edit]

Arnopp, Jason (2001), Slipknot: Inside the Sickness, Behind the Masks, Ebury, ISBN 0-09-187933-7
McIver, Joel (2001), Slipknot: Unmasked, Omnibus, ISBN 0-7119-8677-0

External links[edit]

Official website
Corey Taylor interview
Metal Underground: interview
NY rock: article
IGN: article
Duff McKagan on Corey Taylor in Seattle Weekly

Источник