The gray chapter маска кори тейлора
Ñîãëàñåí. Ïîñëå ïðåäûäóùåé âîîáùå íèêàê ñìîòðèòñÿ. Ïðèä¸òñÿ òåðïåòü(
ÀÕÈÃ’îâñêàÿ ìàñêà òîæå íå ñìîòðåëàñü ïîñëå Vol.3. Íî ïîòîì ê íåé ïðèâûêëè è îíà ïîíðàâèëàñü ëþäÿì) Òàê æå áóäåò è ñ ýòîé.  ïåðâûé äåíü ÿ íå î÷åíü å¸ îöåíèë, íî ñî âðåìåíåì è îíà ìíå ïîíðàâèëàñü))
Òåðïè, äðóã, òåðïè)
Ýêñïëóàòàöèÿ ñàòàíèíñêèõ ñèìâîëîâ ýòî òóïî PR è ìàðêåòèíã íà äóìàõ íåîêðåïøåé ïñèõèêè þíûõ ïîêëîííèêîâ?
È êóäà äåëñÿ òîò òàëàíòëèâûé ïàðåíü íà áàðàáàíàõ?
à ìíå ïðîñòî æàëü. ïå÷àëüíî âñå ýòî. ÿ ëþáëþ Slikpnot ñòàðûì è íå î÷åíü ðàä ýòèì çàìåíàì. ëàäíî Ïîë.. âûíóæäåííàÿ ïðè÷èíà, íî Joey.. ïî ìíå îí íåçàìåíèìûé óäàðíèê.
Åùå êàêîé çàìåíèìûé. Ñëóøàéòå áîëüøå ðàçíîé ìóçûêè.
Ïðîñòèòå, êîãäà ÿ áûë íà êîíöåðòå è áèëñÿ â ýêñòàçå, Äæîóè íà÷àë âìåñòå ñî ñâîåé óñòàíîâêîé ïîäíèìàòüñÿ ââåðõ, à ïîòîì êðóòèòüñÿ êîëåñîì â äâà îáîðîòà, óñêîðÿÿ òåìï èãðû, ÿ ÷òî-òî åùå òîãäà ïîäóìàë, ÷òî åãî çàìåíèòü áóäåò òîé åùå ïðîáëåìîé.
èçâèíè ÷óâàê íî ÿ ñëóøàþ ÎÎÎ×ÅÍÜ ðàçíóþ ìóçûêó è íîâûå ïåñåíêè âîîáùå íå ëåçóò â ðàìêè ãðóïïû ñëèïíàò âñå åãî ðèòìû çàáîéíûå äèêèå áûñòðûå ìíîãî êàðäàíà è âîîáùå îí òîò åù¸ ïåðåö â äðóãèõ ãðóïïàõ ÿ íå âñëóøèâàþñü â áàðàáàííûå ïàðòèè òàê êàê òàì ýòî ïðîñòî ðèòì, íåáîëüøîé ðèñóíîê, à ó äæîè ýòî öåëàÿ êàðòèíà, ïîñìîòðè êàâåðû ëþäåé êàê îíè èãðàþò è òû óâèäèøü ÷òî ýòî çà ïàðòèè è ïîñìîòðè ó äðóãèý ãðóïï òû óâèäèøü ÷òî ó äðóãèõ íå î÷åíü òî è êðóòûå áàðàáàùèêè
ñëóøàåì ìíîãî ìóçûêè. ïðîñòî åñòü òàêàÿ øòóêà êàê ïðèâû÷êà è ìåíÿòü Äæîðäèñîíà íà ëåâîãî ÷óâàêà íå î÷åíü õî÷ó. ïðîñòî ïðèâûê
 Slipknot ïî íàñòîÿùåìó íåçàìåíèì òîëüêî âîêàë Êîðè, êîòîðûé áûñòðî óçíàåòñÿ. È òî îí âðîäå ãîëîñ ñîðâàë, è ìíîãèå ïèøóò ÷òî ýòî óæå íå Slipknot à áîëåå ìÿãêèé Stone Sour.
 ëþáîé ãðóïïå åäèíñòâåííûé íå çàìåíèìûé ó÷àñòíèê — âîêàëèñò, òàê êàê èìåííî îí ñîçäàåò ãðóïïó òàêîé êàêàÿ îíà åñòü â ëþáîì ñëó÷àå, äàæå åñëè ãðóïïà îñíîâàíà ãèòàðèñòîì èëè áàðàáàíùèêîì.
È îí ïðîêóðèë ñâîé ãîëîñ. Íî ýòî ïîâëèÿëî òîëüêî íà ãðîìêîñòü, íàñêîëüêî ÿ ìîãó óñëûøàòü è íà äûõàëêó, òåïåðü íà ëèâàõ îí íå òàê õîðîøî âûäàåò êàê ðàíüøå, íî íà çàïèñè îí ïðåæíèé Êîðè.
äëÿ ìåíÿ òàì âñå íåçàìåíèìû.. óäàðêó Joey óçíàþ âåçäå. òàê è ñ ãèòàðàìè, è ïåðêóññèåé..
Äà, â ïëàíå ïîïóãàòü íàðîä äàäóò ôîðó äàæå Ïóãà÷åâîé.
Î÷åíü æäó íîâûé àëüáîì,îñîáåííî ïîñëå The negative one,çâóê ïðÿì IOWA,ïðîñòî âèäàòü â 2001 ãîäó çàáûëè âêëþ÷èòü áîíóñ òðåê)
Ëè÷íî ìíå êàæåòñÿ íåñïðàâåäëèâûì íàçûâàòü Ðóòà ëèä-ãèòàðèñòîì.
Íà ïåðâûõ äâóõ àëüáîìàõ Òîìñîí èãðàë îñíîâíûå ïàðòèè, à Ðóò — ðèòì.
Ñ òðåòüåãî îíè ïåðåìåøàëèñü, òàê ÷òî îáà ïðîñòî ãèðàòèñòû 🙂
Íó, Ðóò â Stone Sour áûë ëèä-ãèòàðèñòîì)
È âñå-òàêè ðóò ëèä-ãèòàðà) ó òîìñîíà ìíîãî ñîëÿêîâ: gematria, this cold black, gehenna. íî íà äåëå æèâüåì ó íåãî 2 êâàäðàòà â psychosocial è ñîëÿê â vermilion. îñíîâíûì çàïðàâëÿåò ðóò
Ñîãëàøóñü, íî âñ¸ æå âñå çíàþò Ðóòà èìåííî êàê ðèòì-ãèòàðèñòà, âîò ÿ è íå ñòàë çàìîðà÷èâàòüñÿ 🙂
Ïðîøó ïðîùåíèÿ, ñîëî-ãèòàðèñòà* x’D
ïðåäïîñëåäíèé, ñàìàÿ êðóòàÿ ìàñêà
îñîáåííî êàê â êðàéíåì êëèïå îí å¸ ñíèìàë! 0î
Î äà! Îí è Ñèä ïðÿìî âåñü êëèï íà ñåáå âûòàùèëè :3
https://www.youtube.com/watch?v=kspPE9E1yGM
Ìíå ïîíðàâèëèñü îíè â íîâîì æàíðå=)))
Áëèí, ÿ òåïåðü åùå è Áèáåðà óâèäåë, îòîðâèòå ìíå áîøêó 🙁
Î äààà, èçâåñòíûé ïðèêîë) Êîðè äàæå âñåðüåç ãîâîðèë î äóýòå ñ Áèáåðîì xD
Åù¸ îäíî îôèöèàëüíîå ôîòî
Íå ïîíèìàþ ñ êàêîãî õðåíà Äæîè óøåë èç ãðóïïû? Âûãíàëè? Êàê åãî, áëÿòü, ìîãëè âûãíàòü?
Íåóæåëè âñå ÷òî îíè ãîâîðèëè î òîì, ÷òî Slipknot ýòî ñåìüÿ è íèêòî íå çàìåíÿåì — ëîæü? Êîðè âåäü ãîâîðèë, ÷òî íèêòî íå áóäåò âûñòóïàòü íà ñöåíå âìåñòî Ïîë Ãðýÿ, à íîâûé áàñèñò, êàêèì áû îí íå áûë, áóäåò èãðàòü çà êóëèñàìè.
À ÷òî òåïåðü. Çàìåíû. Íå ñåìüÿ ýòî íèêàêàÿ íàõóé, îãîð÷èëñÿ èç-çà ýòîãî ñèëüíî. Íó è êàê íàñòîÿùèé ñòàðûé âîð÷óí ëþáëþ ñòàðûõ ñëèïîâ áîëüøå. Ñåé÷àñ ìîäà ïîøëà êàêàÿ-òî ñîçäàâàòü òàêóþ ãëóáîêóþ, íàòÿíóòóþ, êîñìè÷åñêóþ àòìîñôåðó â ïåñíÿõ. Ìåíÿ ýòî ðàçäðàæàåò. Ñëèïû âåäü áåøåííûå, è äîëæíû èãðàòü áåøåííóþ ìóçûêó, äåïðåññèâíóþ è ïñèõîäåëè÷íóþ êàê ðàíüøå — Get This, (SIC), Wait & Bleed, Diluted, People=Shit, Gently è òä.
Ðàçî÷àðîâàí â Ñëèïàõ -_-
Íè÷åãî ëè÷íîãî, ýòî áèçíåñ)
Ïðîñòèòå ñëîóïîêà , íî êóäà ó íèõ ñòàðûé áàðàáàíùèê äåëñÿ ?
ó íåãî âðîäå ñâîé ïðîåêò «Scar The Martyr», êàê ðàç ñ 2013 ãîäà
ó íèõ óæå âîêàëèñò óøåë -)
 êîíöå òîãî ãîäà óø¸ë. Ïðè÷èíó òàê è íå îáúÿâèëè îôèöèàëüíî(
Îí ñî ñâîåé ãðóïïîé àëüáîì ïèøåò, Êîðè åìó ñêàçàë óõîäèòü èç Scar, òîò âèäèìî îòêàçàëñÿ, âîò åãî è âûãíàëè. (Ýòî îáúÿñíÿåò ïî÷åìó ãðóïïà îáúÿâèëà î åãî óõîäå, ñàì Äæîóè îòðèöàë). Êîðè äàæå Ðóòó èç Stone sour âûãíàë ðàäè ñëèïîâ.
ïîòîìó ÷òî äàæå îí ïîíÿë,÷òî ñêàòèëèñü â ãîâíèùå îíè
ó êîðè òåéëîðà ñàìûé êðàñèâûé ãîëîñ íà ñâåòå
êñòàòè êëèïû íà íîâûå ïåñíè øèêàðíûå
òîìñîí íà ñòîëüêî áðóòàëåí :3
Âîîáùå íàñðàòü íà ìàñêè. Ãëàâíîå ÷òî óçíàåòñÿ çâó÷àíèå. Êëèïû ãàäêèå(ýòî ïëþñ). ×óâñòâóþ ñåáÿ íà ëåò òàê 5 ìîëîæå êîãäà ñëóøàþ íîâûå ïåñíè(õîòÿ äóìàë ÷òî îò ñëèïîâ óæå äàâíî èçáàâèëñÿ, íî îêàçàëîñü íå òàê).
Àëåññàíäðî Âåíòóðåëëà íå áûë áàñ-ãèòàðèñòîì äî Ñëèïêíîò. Îí áûë ãèòàðèñòîì â Êðîêîäèë è Cry For Silence, à ïîòîì áûë òåõíèêîì â äâóõ ãðóïïàõ. Ýòî äîáàâëÿåò åùå áîëüøå âîïðîñîâ è ïðèÿòíîãî óäèâëåíèÿ — êàê ìîæíî âçÿòü â ÒÀÊÓÞ ãðóïïó, ÷åëîâåêà áåç ïðîô ïîäãîòîâêè èãðû íà áàñó
Î, êàê ðàç ïîçàâ÷åðà ìîëîäîñòü âñïîìèíàë, ñëóøàë èõ.
Òîìïñîí è Ôåíí íå ñòàëè çàìîðà÷èâàòüñÿ è îñòàâèëè ñòàðûå
íó ýòî êàê-òî ñòðàííî, ÷òî ìàñêè íîâûõ ó÷àñòíèêîâ — âñåãî ëèøü âàðèàöèè íà òåìó ìàñîê áûâøèõ ó÷àñòíèêîâ.
ñèä âñ¸ êðó÷å è êðó÷å ñ êàæäûì ðàçîì. ó äæèìà æå íå ìàñêà äàæå, à êðàñêà íà ëèöå. çà÷åì? ó êîðè ñòð¸ìíàÿ.
À êàê æå Äæîðäèñîí? Çà ÷òî åãî óâîëèëè èç Ñëèïîâ èëè ÷òî âîîáùå ïðîèçîøëî?
íå îïîïñèëèñü, ïðîñòî ïîìåíÿëè íåìíîãî ñòèëü, ðàíüøå óïîð áîëüøå íà óäàðêó áûë è íèêàêóùèå ãèòàðíûå ïàðòèè, ñåé÷àñ áîëüøå ãèòàðó ñëûøíî.
ðàíüøå áûëà àòìîñôåðà, à ñåé÷àñ å¸ íåò.
ãèòàðà òàê è îñòàëàñü íèî÷¸ì
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(Image credit: Martyn Goodacre/Getty Images)
Slipknot masks have become a fundamental part of their identity since the band formed in 1995. It was, of course, Slipknot’s linchpin Clown who came up with the idea of their masks. It was shortly before the band’s first ever gig, on Halloween in 1995, and the band were rehearsing.
“We were all going around the room asking, ‘What are you going to wear?’” remembered Clown. “I pulled up the clown mask I had and said, ‘I’m wearing this’.” It did not go down well with his bandmates.
“A few of them were like, ‘No fucking way. You can’t be the only guy wearing some stupid mask’,” he recalled. “So I said, ‘I really don’t care what you think, this is who I am and this is what I’m going to do.’ So here we are all these years later…”
Iconic, terrifying and, sometimes, quite funny: the Slipknot masks became such a part of their early legend that the photographer Paul Harries, who shot the band countless times in the early days, recalls being stopped by fans outside shows and asked if he’d seen Slipknot without their masks. “Do they have real faces underneath?” he was asked once. And with that, a legend was born.
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Slipknot (1999)
Corey Taylor
Featuring dreadlocks poking out of the top and an expressionless, ghostly face, singer Corey Taylor felt his first mask allowed the band’s music to be purer. “Music then was basically a template for a bunch of hot guys to sell a bunch of shit that didn’t mean anything. We put a mask on and we’re not about our fucking faces. It’s always gonna be music first.”
Mick Thomson
Guitarist Mick Thomson’s first mask was a store-bought hockey mask, which he later changed into a black leather gimp mask. “Roadrunner didn’t like the masks,” said Clown later. “They also didn’t want nine guys in the band but I can’t tell you how many millions of dollars that label has made from us. I take pride in knowing that they were wrong and I was right.”
Jim Root
Guitarist Jim Root inherited his first mask from his predecessor in the band, Josh Brainard. A black bondage mask, he found it too uncomfortable to play in so adopted a jester’s mask as he thought it reflected his personality better.
Craig Jones
The band’s most enigmatic member initially simply wore a pair of knickers over his head, before he got an old crash helmet, hammered long nails through it, and added a flashlight to the top.
Sid Wilson
DJ Sid Wilson’s mask was ever-changing, frequently altering drastically from album to album. His first was a simple gas mask, a basic but futuristic look.
Shawn Crahan
Shawn Crahan’s iconic clown mask was the one that started the whole idea. “I was in the mall with a girlfriend and walked into a Halloween store. There was a clown mask there and when I put it on, I became another thing. It was $49 and I had $50 in my pocket. I was supposed to be buying my girlfriend lunch and she got all pissed off because I spent all my money on this mask. Well… she’s gone but I still have him downstairs.”
Chris Fehn
Essentially a gimp mask, with a mouth that could be zipped up and a long, phallic, Pinocchio nose that percussionist Chris Fehn would ‘masturbate’ frequently while onstage. “It reflects my comic personality,” he said. “Plus I chose it for the bondage factor.”
Paul Gray
Bassist and songwriter Paul Gray would initially simply wrap tape around his head, before deciding on a Halloween pig mask for the band’s debut – the band had told him it reflected his self-indulgent nature. He was criticised by rival band Mushroomhead, who claimed he had stolen the idea from them.
Joey Jordison
One night, when he was a kid, Joey Jordison’s mother came home from a Halloween party wearing an utterly blank, and thus eerily terrifying, Japanese Kabuki mask. Its emotionless stare stuck with him and he adopted it for Slipknot
Iowa (2001)
Corey Taylor
Taylor’s Iowa mask was virtually the same as the one for the band’s self-titled debut, except it was blacker to fit the band’s mood at that time. “I was drinking like a fucking fish. It was bad, it was a scary fucking time to be in Slipknot because we did not give a fuck and not in a good way.”
Mick Thomson
Thomson wore the same mask for Iowa as on the band’s debut. Now painted to look metallic, it featured a grill across the mouth – a nod to the old hockey mask – and would be something the guitarist would more or less stick with forever more.
Jim Root
Root’s mask barely changes throughout the band’s history and by Iowa, it was simply a more detailed version of its predecessor – a jester’s face, with zipper mouth and menacing red eyes. “The guys chose this mask to tame me,” he said. “I was a timid guy before I joined this band. Now I’m a freak.”
Craig Jones
By Iowa, Jones’s crash helmet had become a bondage mask but it still had the porcupine-like nails protruding from it. He added a mouth zipper and, during interviews, the notoriously quiet sampler would delight in slowly drawing the zip closed whenever he was asked a question.
Sid Wilson
The DJ’s mask evolved rapidly from the simple gas mask of the band’s debut, to a more skull-shaped gas mask for the band’s follow up. Wilson had nine of them made, giving each its own name.
Shawn Crahan
Clown’s mask developed quickly from the traditional (if spooky) clown face of the debut to the sinister Iowa incarnation. Still a clown, this one featured an upside down pentagram, two horns and a portion of the scalp torn back to reveal a bloody brain.
Chris Fehn
Fehn’s Iowa mask was virtually the same as the one he wore in the self-titled album, but for one difference: “The smell gets worse, it smells like puke, sweat, and piss!”
Paul Gray
Gray was one of the few members of Slipknot to enjoy the Iowa period – “Hell, I had a great time,” he said – and wore an updated, slightly more human latex version of the pig mask he used on the band’s debut but this one had slits across the mouth.
Joey Jordison
Jordison added black corpse paint to his Iowa Kabuki mask, and still enjoyed the inscrutably blank nature of it. “You feel however you want to feel; scary, evil or perverted,” he said. “All those things held in one mask”.
Vol.3: (The Subliminal Verses) (2004)
Corey Taylor
The dreadlocks were gone by Vol.3, replaced by multicoloured hair, but the stitched up, skinless face remained as Taylor battled personal demons behind the mask. “I was pretty much drunk from the beginning of Iowa until three months into recording Volume 3.”
Mick Thomson
The Vol. 3 version of Thomson’s mask was a relatively simple evolution of the first mask that had served him for the first two album cycles. “If you know who you are, you don’t need change. I think I pretty much nailed it with this one for being able to get across how I am,” he said.
Jim Root
Again, Root’s mask does not change much. His is still a sinister jester’s face but by Vol.3 the diamonds around the eyes are darker and the face paler.
Craig Jones
By Vol. 3, Jones’s mask is slightly bigger and the nails protruding from his head are slightly longer, but the general look remains the same: a bondage Pinhead.
Sid Wilson
For Vol.3, Wilson’s mask changed again and became an out and out skull, a traditional skeleton with blackened nose and filthy teeth.
Shawn Crahan
Like some kind of horrific post-operative patient, Crahan’s Vol. 3 Clown mask was a mass of bloody bandages wrapped around his face, featuring a macabre red nose out front. He ripped the top from it after a while to let his hair hang out, making him look all the more like a serial killer.
Chris Fehn
A similar mask to his first two, Fehn’s Vol.3 mask essentially just changed colour – starting to rust then eventually turning red – but remained broadly the same: the long nose and zipper mouth.
Paul Gray
The pig face had gone by Vol. 3 and was replaced by a more human, Hannibal Lecter style mask, with nails acting as a grill across the mouthpiece. Also included a bullet hole because why not?
Joey Jordison
Jordison’s Kabuki mask remained relatively unchanged, but was updated with various different designs and claw slashes for Vol.3. “It’s very difficult to play in the masks sometimes,” he said. “You feel like you’re locked in hell.”
All Hope Is Gone (2008)
Corey Taylor
In some ways Taylor’s scariest mask is the scariest of all in this period. It featured no hair at all, and had an almost entirely featureless face that appeared stitched to his skull. Eerily blank.
Mick Thomson
An angrier, more menacing update on the same theme: Thomson’s mask broadly remains as the same metallic-looking, futuristic visor throughout the band’s history.
Jim Root
Again, not much has changed: Root’s mask is still the same jester’s face as before. The black diamond still features around the eyes, and the zip is still drawn shut between black lips.
Craig Jones
The mask becomes more metallic and the nails are a little longer, but Jones’s look does not really change from Vol. 3.
Sid Wilson
By All Hope Is Gone, Wilson’s mask had undergone another radical change: now his face resembled a Transformer – he is a fan of the TV show – and featured controllable eyebrows to allow him to change his expression.
Shawn Crahan
Clown’s All Hope Is Gone mask was probably the most technical: a patchwork of black leather, thick red and white stitching and zips that was both sinister and brooding. “I don’t want any of it to look human – there are no human elements to it,” he said. “The mask is actually made of steel, so I can rip it off my head and use it as a weapon. It’s not some plastic bullshit.” He had an alternate one too: a more human face but one with a such disturbing lack of features that it looked like the plastic dollface of your nightmares.
Chris Fehn
Still featuring its long nose and zipper mouth, Fehn’s All Hope Is Gone mask no longer included the hood that covered the back of his head.
Paul Gray
Gray had two masks for his last years in the band, both of which were very similar to his Vol.3 Hannibal Lecter mask, but with the slight additions of small cracks in one and a paint smear on the other.
Joey Jordison
Anyone for a crucifixion? Joey’s facial stitches and crown of thorns lent him the air of a demonic christ. The dials were most definitely set to ‘creepier than ever’ – though the drummer would probably say the air of martyrdom appropriate given what happened a few years later….
.5 The Gray Chapter (2014)
Corey Taylor
Taylor’s most human mask: an almost realistic two-piece human face but one that appears riddled with disease and disgust across its cheeks. “People like me, Clown, Sid change our masks drastically,” he said. “Because, for me, the mask is a representation of the person on the inside, and nobody stays the same over time.”
Mick Thomson
The mouth is as distinctive as ever – a five-bar grill across the teeth – but for Thomson’s latest mask, the forehead features more detailed frowning and angrier eyes.
Jim Root
Root’s mask remains similar – though the zipper mouth has gone to allow room for the long beard he grew for The Gray Chapter.
Craig Jones
Jones wears practically the same mask as he has done for the last three album cycles: a black, metallic-looking bowl with zipper mouth and huge spikes protruding all round.
Sid Wilson
The Gray Chapter brought another change, and Wilson’s mask was now a black leather hood, with circular metallic eyes and terrifying teeth that could be covered by a mouth protector.
Shawn Crahan
A return to a more traditional clown face, though one that looked like it had lost a back alley fight to a wolf, had been living rough ever since and was all set on tapping you up for a can of Tennents Super.
Chris Fehn
By The Gray Chapter, the hood was back and the mask was coloured a metallic gold. Though the long nose and zipper mouth remained, the eyes were droopier and sadder than before.
Alessandro Venturella
Gray’s replacement on bass, Alessandro Venturella, and Jordison’s replacement on drums were initially going to both get the same mask so as to include them in the band but not disrespect past members. In the end, though, Venturella was given a slashed-up, patchwork ogre-like mask
Jay Weinberg
The band’s new drummer was given a heavily textured mask, featuring a pentagram on the forehead and zip across the mouth
.6 We Are Not Your Kind (2019)
(Image credit: Alexandria Crahan Conway)
On Thursday May 16, 2019, the brand spanking new masks for the band’s brand new album, We Are Not Your Kind, were released.
Corey’s had a facelift, Clown has gone all robotic, Pinhead has grown a mohawk, Sid has morphed into Emperor Palaptine and the two newbies have rebranded themselves with unique identities!
(Image credit: Future/Steve Brown)
Corey Taylor
There’s been a fair amount of controversy surrounding Corey’s new mask. Everyone had high hopes when the vocalist announced he was working with SFX veteran Tom Savini, but what he emerged with divided fans.
Some commented that it’s «garbage» and he looks «like a chipmunk» – the comically oversized cheeks and roll-neck/scarf to help disguise them are perhaps not helping such reactions.
One Reddit user commented that it «looks like a bloated corpse that’s been pulled fresh out of the river» – which is perhaps more of the vibe he was going for. However, we think he’s a victim of rather extreme facial plastic surgery.
But, to us his transparent mask looks like something you’d don post-op after facial plastic surgery with a morbid twist à la Eyes Without A Face – he’s left rotting underneath.
Thanks to the fans reactions, Corey commented on the mask: «I wanted it to feel like it was something that was created in someone’s basement – something that was made specifically to fuck with people.»
(Image credit: Future/Steve Brown)
Mick Thompson
Good ol’ Mick, Mr. Reliable… He’s barely changed a bit. We like the familiarity, we can identify him easily, right?
(Image credit: Future/Steve Brown)
Jim Root
Jim’s mask is creeping further and further away from that original jester-styled facade, and this time he’s most definitely channeling Phantom of the Opera.
This new mask is less creepy than the previous incarnation and undeniably the sexiest mask – check out those cheekbones! – but not exactly the scariest.
(Image credit: Future/Steve Brown)
Craig Jones
This album, Jones has been to a nail technician and had those bad boys styled. He’s rocking an hard as nails mohawk… Okay I’ll stop with the puns now (maybe).
(Image credit: Future/Steve Brown)
Sid Wilson
Sid has made a drastic leap from his previous looks, this time he’s opted for prosthetics, completely altering his own features and ensuring most of the focus is on those every-changing, yet always terrifying grills.
It almost looks as though he’s supporting some form of creepy transparent mouth guard, and a cape that is seemingly modelled on Emperor Palaptine. We dig it.
(Image credit: Future/Steve Brown)
Shawn Crahan
Clown always updates his look, and this time it’s nice and shiny… yet still, undeniably… a clown. Can’t say it’s his most fearsome look but he’s definitely bringing the bling to the bunch.
(Image credit: Future/Steve Brown)
Alessandro Venturella
It looks like Venturella has truly been able to put his stamp on his second mask and it’s now distinctly different from Jay’s.
A rather brawny, ornate metallic mask, the detailing looks part-baroque and part-muscular. With its rigid metal framing, it is almost reminiscent of a medieval iron masked executioner, albeit with a little more flare, and crossed with a lucha libre.
He’s replaced the formerly zipped up mouth with a square grill.
(Image credit: Future/Steve Brown)
Jay Weinberg
Goodbye zipper-mouth, hello creepy staples! A nice little nod to the late Paul Gray, this new look conjures up a slightly Hannibal Lector sorta vibe. With his long hair he has a very Joey Jordison circa All Hope Is Gone vibe… sorta like a satanic Jesus.
(Image credit: Future/Steve Brown)
Tortilla Man!
We still have no clue who tortilla man is, but it’s safe to say his mask looks like, well, a tortilla…
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